This past weekend, women and all supporters of gender equality from all over the world joined forces for the third annual Women’s March.

Each year, this March serves to unite people who represent all intersections of identity, each bringing their own vital and important voices to the collective movement. In 2017, at the first Women’s March, Free The Bid founder Alma Har’el‘s video of singer Connie Lim (MILCK) and a choir performing MILCK’s song “I Can’t Keep Quiet” went viral and became an anthem for women everywhere.

Director Victoria Stevens, one of the newest additions to the Free The Bid database, wanted to create a film that would pay tribute to the “vibrating energy” of the March. Shot during last year’s March, Victoria’s docu-narrative hybrid film follows the journey of a young girl through the crowd, experiencing the full breadth of sights and sounds encountered while marching. Read on for Victoria’s exclusive thoughts on the making of this film!

StevensStill 01

“There have been several great docs made on the Women’s March, but I wanted to specifically add the perspective of a young girl experiencing her first time at a demonstration. Before I attended the first Women’s March in 2017, I had no idea what to expect and was honestly skeptical. However, within moments after getting off the train in DC, I was overwhelmed by the vibrating energy of the women and men of all ages marching together because of their common beliefs. I wanted to express what I had experienced emotionally and visually using our young protagonist Rachel.

"I wanted people to feel the claustrophobia within the crowd in the tense moments and pull back on the wide shots to show the controlled chaos of the march."

Rachel heads to the march with her brother, along the way witnessing a few challenges women face daily. Upon arrival, they quickly become separated and she finds herself on her own in the seemingly riotous scene. Terrified at first, she tries to find him, but in the process she comes across a cast of characters, each representing many of the issues people stand up for: civil rights, disability rights, LGBTQIA rights, to name a few. Through these interactions, she gradually becomes more aware of the positive and empowering space that a peaceful protest like the Women’s March provides and the powerful platform it gives to many whose voices sometimes get lost in the crowd, so to speak.

To emphasize Rachel’s perspective, we used anamorphic lenses with a shallow depth of field. I wanted people to feel the claustrophobia within the crowd in the tense moments and pull back on the wide shots to show the controlled chaos of the march. The challenge with this was actually shooting during the march last year in NYC. Directing actors within an event while onlookers try to interact proved tricky. However, everyone involved, including the crowd, were beyond supportive and excited to help in any way they could, whether it be crowd control for a scene or even participating, as we were thrilled to see happen in the dance scene.

StevensStill 05

Free The Bid’s mission runs parallel with what these women’s marches are working to achieve – a chance for equality in every playing field. This platform is already making a huge difference, as it is allowing women filmmakers a collective place to tell their stories so more of the world can benefit from the unique vision that comes with woman’s experience in the world.”


CREDITS

Directed by Victoria Stevens
Written by: Victoria Stevens & Justin Shanes
Cinematographer: Allison Anderson
Editor: Karen Kourtessis & Ryan Stacom at Union Editorial
Sound Design: Owen Shearer @ Sonic Union
Casting: Donale Case Casting
Executive Producer: Eric Berkowitz
Executive Producer: Mark Kovacs
HOP: Brian Turner
Producer: Myriam Shroeter
Production Supervisor: Meg Bria-Meyer
Commercial Coordinator: Danielle Naer
2nd Unit DP: Htat Htut, Lorenzo Pace
1st AC: Daniel Cardenas
2nd AC: Aron Romanoff
Sound Mixer: Fiona McBain
Wardrobe Stylist: Ashley Pruitt
Makeup/Hair: Kelsey Morgan
Choreographer: Amy J Gardner
Production Assistants: Danielle Naer, Christine Spang, Katie Kopajtic
Composer: Fernando Arroyo Lascurain
“Love Thang” – First Choice
Rachel: Rachel Salvatierra
Brother: Ray Rodriguez
Subway Manspreader: Michael Cuomo
Subway Pregnant Women: Karina Dearwood
Construction Worker #1: Jacob Berger
Construction Worker #2: Eric Danny Rodriguez
Drag Queen: Jiggly Caliente
Suffragette: Dorothi Fox
Traffic Coordinator: David Oliver
Dance crew: Justina Daragjati, Selina Hack, Karen Ng, Sarah Parker, Melissa Centeno
Special thanks:
Humble Tv
Eric Berkowitz
Union Editorial
Sonic Union
Abelcine
Hero Photo Courtesy of Victoria Stevens

0 Shares:
You May Also Like
mimi-thian-vdXMSiX-n6M-unsplash
Read More

DISTRIBUTION DOWN LOW

This webinar will now be held on Tues. December 10, at 1pm PST/ 4pm EST. Join us to learn more about pitching from Clay Pruitt, Seed&Spark Head of Acquisitions!
lians-jadan-WSHCZC-caJs-unsplash
Read More

NEW YEAR NEW DECADE: TIME TO BREAK THE RULES

Based on headlines and stats from the past year, it seems like the entertainment & advertising industries need to take a long, honest look in that murky old mirror. Here are some possible resolutions to cut the BS & create some real, meaningful change.